{"id":9183,"date":"2022-10-03T12:46:42","date_gmt":"2022-10-03T10:46:42","guid":{"rendered":"https:\/\/www.archivionannivalentini.com\/writings-by-nanni-valentini\/"},"modified":"2023-12-28T16:46:57","modified_gmt":"2023-12-28T15:46:57","slug":"writings-by-nanni-valentini","status":"publish","type":"page","link":"https:\/\/www.archivionannivalentini.com\/en\/writings-by-nanni-valentini\/","title":{"rendered":"Writings by Nanni Valentini"},"content":{"rendered":"\n
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Writings by Nanni Valentini<\/h1>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n
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\n\t\t\t\t\tIl volto di Endimione<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tCatalog of the exhibition \u201cIl volto di Endimione e i 28 volti di Selene\u201d [The Face of Endymion and the 28 Faces of Selene], Galleria C\u00e0 Vegia, Salice Terme (AL), 1980, and Galleria Mercato del Sale, Milan, 1983.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tOf the theme of the Angel<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cOf the theme of the Angel” – \n1985, terracotta, iron and paper on wood, cm 150 x 200\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tDialogues but mostly statements<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cWhat is the way to the abode of light?And where does darkness reside?Can you take them to their places?Do you know the paths to their dwellings?Surely you know, for you were already born!You have lived so many years!\u201d                                            (Giobbe 38, 19-21)\n\n\n\nThe relationship with nature… The Pre-Socratics had a concept of unchangeability, of immobility: they did not explain how things became, but \u2026\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tEven if to tone down\u2026<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn Estra, cultural magazine published every four months, edited by Ugo Carrega, no. 5, October-January 1982\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tIf the earth is the \u2018earth\u2019<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tWritten in 1980 and not published during the artist\u2019s lifetime. Published in \u2018Nanni Valentini\u2019, Riga 3, Velate 1992\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tTo Adelio<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tWritten for the friend Adelio Maronati in 1983\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tColore, 5-11-83 5b<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tManoscritto datato 06\/02\/82, per la didattica all\u2019Isa di Monza. (inedito in vita)\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tBirth of the angel<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tWritten in November 1985 for the solo exhibition La nascita dell\u2019angelo [The birth of the angel], Hetjens Museum, D\u00fcsseldorf, published posthumously in the exhibition catalogue, edited by E. Klinge, January 1986\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tNorio Shibata told me\u2026<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn the catalogue artis lingua, Quaderni di storia dell\u2019arte, Centro Immagini Koh-i-noor, Milan, 1985\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tFor Olindo<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tHandwritten text on photocopy, edited for the friend Olindo\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tThe vase and the octopus<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn “Nanni Valentini, il vaso e il polipo”, exh. cat. (with text by M. Meneguzzo), Galleria Vera Biondi, Florence, February 1982\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tAbove the blue\u2026<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tManoscritto datato 6\/12\/1982. Per la morte del padre Piero\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tLe Case [Houses]<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn: \u201cNanni Valentini\u201d, catalog of solo exhibition, Galerie Babel, Heilbronn, Germany, June 1981\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tDear Bruno<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn Bruno Baratti ceramic painter, anthology 1935-1980, exhibition catalogue, Palazzo Ducale, Pesaro, 18 July \u2013 20 September 1981\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\u2026 I chose matter<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin \u201cNanni Valentini\u201d, catalogo della mostra, Padiglione d’arte contemporanea, Milano, 19 gennaio \/ 20 febbraio 1984\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tAutobiography<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tText written by Nanni Valentini in September 1983, to mark the occasion of the research and composition of the first thesis on his artistic activity.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tRecovering signs…<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tTypescript of uncertain date, referable to the years 1980\u20131982, unpublished in life, first published in the catalog of the exhibition \u201cNanni Valentini opere 1982\u20131985\u201d, Galleria Civica, Modena, 1987.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t

\n\t\t\t\t\tDear Giovanni…<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tTypescript of autograph letter to ceramist Giovanni Crippa, July 31, 1979. First published in the catalog of the exhibition Nanni Valentini opere 1982 \u2013 1985, Galleria Civica, Modena, 1987.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tSulla materia [On the Matter]<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tNanni Valentini, Sulla materia [On the Matter]. In: E. Maurizi (ed.), Materia come realt\u00e0 [Matter as Reality], exhibition catalog, Pinacoteca e Musei Comunali, Macerata, December 1979.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tLa Terre et les R\u00eaveries de la volont\u00e9<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tNanni Valentini. Terra-numero e Terra-bagnato, Studio Casati, Merate, aprile 1979, catalogo della mostra.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tIn the central Appennini mountains<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tIn: Five Italian Artists (Enrico Ferreri, Oscar Piattella, Paolo Schiavocampo, Nanni Valentini e Walter Valentini), exhibition catalogue, Harbor ART Gallery, University of Massachusetts, Boston, MA, USA, 1979.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tA wall is a world<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tIn Ambient\u2019azione, exh. cat., Galleria Lanza, Verbania-Intra, 24 June \u2013 30 September 1978\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tThis work is the result…<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tTypescript probably used for the press release of the solo exhibition at \u201cGalleria Milano\u201d, Milan, 1976.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tFor this exhibition<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tSolo exhibition at \u201cGalleria Lo Spazio\u201d, Brescia, December 18, 1976, catalog.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\tIn these works that I am exhibiting in Gubbio…<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tTesti<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\u201cBiennale di scultura Gubbio 76\u201d, Palazzo dei Consoli, Gubbio, August 22\u2013October 16, 1976, exhibition catalog.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\n
<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"","site-content-layout":"","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"yoast_head":"\nWritings by Nanni Valentini - Archivio Nanni Valentini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archivionannivalentini.com\/en\/writings-by-nanni-valentini\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Writings by Nanni Valentini - 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