{"id":9185,"date":"2022-10-03T12:47:56","date_gmt":"2022-10-03T10:47:56","guid":{"rendered":"https:\/\/www.archivionannivalentini.com\/critics-texts\/"},"modified":"2023-12-28T16:48:58","modified_gmt":"2023-12-28T15:48:58","slug":"critics-texts","status":"publish","type":"page","link":"https:\/\/www.archivionannivalentini.com\/en\/critics-texts\/","title":{"rendered":"Critics’ Texts"},"content":{"rendered":"\n
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Critics’ Texts<\/h1>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n
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\n\t\t\t\t\tNanni Cagnone<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tNanni Valentini, exh. cat., Galleriaa Lo Spazio, Brescia, october 1977\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tElverio Maurizi<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn Materia come realt\u00e0, exh. cat., Pinacoteca e Musei Comunali, Macerata, December 1979\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tFlaminio Gualdoni<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin “Gala International”, XVI, 92, Milan, giugno 1979\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tMiklos N. Varga<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\thandout, Il Cortile Gallery, Bologna, 19 April \u2013 2 May 1980\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tMarco Meneguzzo<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\texh. cat., Galleria Vera Biondi, Florence, 15 January \u2013 16 February 1982\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tPier Giovanni Castagnoli<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn Nanni Valentini, exh. cat., Padiglione d\u2019arte contemporanea, Milan, 19 January \u2013 20 February 1984\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tUmberto Galimberti<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin Nanni Valentini, exh. cat., Padiglione d\u2019arte contemporanea, Milan, 19 January \u2013 20 February 1984\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tGiovanni Maria Accame<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin Conversari, Studio Dossi, Bergamo, 1984. The variants to the replies, kept in the archive, are published as well as the written interview.\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tClaudio Olivieri<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\texh. cat., Libreria Giulia, Rome, March 1985\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tMarco Belpoliti<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin \u201cFinisterre n. 2\u201d, Elitropia, Reggio Emilia, spring-summer 1986\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tFabrizio D\u2019Amico<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin Nanni Valentini, exh. cat., Palazzo Lazzarini, Pesaro, 23 July \u2013 9 October 1988\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tEnzo Biffi Gentili<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tin Keramikos 15, Milan, June 1990\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tFlaminio Gualdoni<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn \u201cNanni Valentini\u201d, Silvana Editoriale, Milan 2005\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tLuca Bochicchio<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tThrough the Trasparenze of Nanni Valentini:\nThe visual and the transcendental\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t
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\n\t\t\t\t\tAlberto Salvadori<\/a>\n\t\t\t\t<\/h3>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t\tCritici<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\tIn Spazi, exh. cat., Galleria Arte Struktura, Milan, November 1975\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\tread more<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\n
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